学術雑誌論文

本学関連学会

text

デザイン理論. 2024, 84, p. 23-37

日本語

text

2024-08-10

学術論文

This study examines Sinya Okayama’s 1975-1979 interiors using cloth. By analyzing the 1975 coffee shop Mahoroba, the 1976 coffee shop Seiburu, and the 1976 beauty salon White House as examples, the study clarified the reasons for Okayama’s use of cloth for interior design and presented the historical significance of Okayama’s approach to interior design. First, Okayama used cloth in order to create an unusual space as an “object of light.” For him, cloth was a more suitable material for mediating light than the usual materials such as acrylic panels, glass, or metal. Second, the use of cloth for partitions, which are usually made of hard materials, and the printing of the three-dimensional patterns of mokumen (wood wool) and perforated plywood on cloth as two-dimensional images, showed that cloth can be used to create designs that play tricks on people’s assumptions about things. In these ways, Okayama brilliantly pioneered the use of cloth as a traditional material in the late 1970s to play a leading role in avant-garde experimental spaces.

10.18910/97665

97665

現実と空想のあいだ : 岡山伸也による布を用いたインテリア・デザイン

橋本, 啓子

意匠学会

日本語

2024-08-10

デザイン理論

84

23

37

https://hdl.handle.net/11094/97665

10.18910/97665

https://doi.org/10.18910/97665