学術雑誌論文

本学関連学会

text

デザイン理論. 2025, 85, p. 5-19

日本語

text

2025-01-31

学術論文

In 1920s, there was a series of creative yukata design projects that involved artist groups and the general public. These projects are notable for their amateurism, in that they place value on the creativity of “amateurs” who are not commercial designers specialized in dyeing. This paper examines the background of ‘Kusanohazome-chugata’ which used designs by members of an artist group, which was the starting point of this phenomenon, and ‘Shufunotomo-yukataji’ which used publicly solicited designs, as representative examples, and analyzes its consequences. Conventionally, yukata designs were often produced by artisanal designers with strong ties to stencil-making. In both projects, we find criticism of the lack of free creativity in conventional yukata designs and an awareness of the need to change the designs and to influence society through the practice of ‘daily life as art’. At the same time, there is also the background of the custom-dyeing system that has existed since the late Edo period. In this system the recipients themselves enjoy creating their own designs. The unconstrained designs by “amateurs” are modified by artisans before dyeing. In such relationship, “amateur” creativity stimulated the handicraft industry and influenced actual designs.

10.18910/100269

100269

大正末，昭和初期創作図案浴衣企画にみるアマチュアリズムと手仕事の染織産業との関係 : 《草の葉染中形》，《主婦之友浴衣地》を中心として

大久保, 尚子

意匠学会

日本語

2025-01-31

デザイン理論

85

5

19

https://hdl.handle.net/11094/100269

10.18910/100269

https://doi.org/10.18910/100269