吉祥図像としての麻姑について

毛, 嘉琪

doi:https://doi.org/10.18910/100270

吉祥図像としての麻姑について

毛, 嘉琪

デザイン理論, 2025, 85, 21-35

アクセス数:170件（2026-02-16 07:25 集計）

固定URL: https://doi.org/10.18910/100270

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タイトル	吉祥図像としての麻姑について
	A Study of Auspicious Iconography of Magu
	キッショウズゾウ　ト　シテ　ノ　マコ　ニ　ツイテ
著者	著者名毛, 嘉琪 ; Mao, Jiaqi
キーワード等	道教
	仙人
	意匠
	毛女
	女性表象
	Daoism
	Immortal
	Design
	Mao Nü（Mojo）
	Female Representation
内容	学術論文
抄録	Magu is a legendary Daoist female immortal, associated with the elixir of life. Stories in Chinese literature describe Magu as a beautiful young lady with long birdlike fingernails. Magu xian shou (‘Magu gives her birthday greetings’) is a popular motif in Chinese art, particularly in occasions of celebrating women’s birthday. Her iconography became especially popular in Qing dynasty (1644-1912). By collecting and comparing images of Magu, this paper elucidates how her image changed and became generalized over time. Some of her features described in the original texts had gradually disappeared, including her long fingernails, topknot and long hair down. This paper proposes the main reason for Magu’s popularity is closely related to the decline of the iconography of Mao Nü, who used to be the typical female immortal represents seclusion and longevity. During the Qing dynasty, paintings of female feet were newly deemed inappropriate. Since bare feet were an essential feature by which Mao Nü was recognized, her image suddenly became controversial in the world of Chinese art and faded out. On the other hand, Magu who wears dress long enough to cover feet, and showing her beautiful hands, also represents longevity, more sociable, soon took over Mao Nü’s place. Today, Magu’s image is widely known through opera and plays.
出版者	意匠学会
出版者	The Japan Society of Design
収録物名	デザイン理論
収録物名	Journal of the Japan Society of Design
巻(号)	85
ページ	21-35
刊行年月	2025-01-31
言語	日本語
ハンドルURL	https://hdl.handle.net/11094/100270
DOI	https://doi.org/10.18910/100270
PISSN	09101578
NCID	AN00006762
アクセス権	open access
出版タイプ	Version of Record
カテゴリ	本学関連学会 Related Societies
カテゴリ	デザイン理論 / Vol.85(2025-01)

資源タイプ	学術雑誌論文
ローカル資源タイプ	本学関連学会
DCMI資源タイプ	text
DCTERMS.bibliographicCitation	デザイン理論. 2025, 85, p. 21-35
DC.title	吉祥図像としての麻姑について
	A Study of Auspicious Iconography of Magu
	キッショウズゾウ　ト　シテ　ノ　マコ　ニ　ツイテ
DC.creator	毛, 嘉琪
DC.creator	Mao, Jiaqi
DC.publisher	意匠学会
DC.publisher	The Japan Society of Design
DC.language' scheme='DCTERMS.RFC1766	日本語
DC.type' scheme='DCTERMS.DCMIType	text
DCTERMS.issued' scheme='DCTERMS.W3CDTF	2025-01-31
DC.subject	道教
	仙人
	意匠
	毛女
	女性表象
	Daoism
	Immortal
	Design
	Mao Nü（Mojo）
	Female Representation
DC.description	学術論文
DCTERMS.abstract	Magu is a legendary Daoist female immortal, associated with the elixir of life. Stories in Chinese literature describe Magu as a beautiful young lady with long birdlike fingernails. Magu xian shou (‘Magu gives her birthday greetings’) is a popular motif in Chinese art, particularly in occasions of celebrating women’s birthday. Her iconography became especially popular in Qing dynasty (1644-1912). By collecting and comparing images of Magu, this paper elucidates how her image changed and became generalized over time. Some of her features described in the original texts had gradually disappeared, including her long fingernails, topknot and long hair down. This paper proposes the main reason for Magu’s popularity is closely related to the decline of the iconography of Mao Nü, who used to be the typical female immortal represents seclusion and longevity. During the Qing dynasty, paintings of female feet were newly deemed inappropriate. Since bare feet were an essential feature by which Mao Nü was recognized, her image suddenly became controversial in the world of Chinese art and faded out. On the other hand, Magu who wears dress long enough to cover feet, and showing her beautiful hands, also represents longevity, more sociable, soon took over Mao Nü’s place. Today, Magu’s image is widely known through opera and plays.
DC.identifier	10.18910/100270
DC.format	100270
citation_title	吉祥図像としての麻姑について
citation_author	毛, 嘉琪
citation_publisher	意匠学会
citation_language	日本語
citation_date	2025-01-31
citation_journal_title	デザイン理論
citation_volume	85
citation_firstpage	21
citation_lastpage	35
citation_public_url	https://hdl.handle.net/11094/100270
citation_doi_detail	10.18910/100270
citation_doi	https://doi.org/10.18910/100270

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