学術雑誌論文

本学関連学会

text

デザイン理論. 2025, 85, p. 37-51

日本語

text

2025-01-31

学術論文

Historically, Hanamusubi [花結び] has been considered as an elite cultural practice among women, during the Heian period (794-1185) known for its decorative knotting used in various applications. The study traces the evolution of this craft during a period marked by significant social and technological changes. The 1970s saw advancements in the textile industry, leading to the proliferation of ready-made clothing and a decline in traditional sewing education. This shift is contextualized within broader changes in women’s awareness and the rise of handicraft culture as a form of consumer activity. The article delves into the representation of Hanamusubi and other traditional handicrafts in magazines such as Soen [装苑] and Dressmaking [ドレスメーキング], highlighting their commercialization and integration into popular consumer culture. Furthermore, the study explores the critical role of adult education centers in reviving and disseminating Hanamusubi in the 1980s. These centers provided a platform for women to learn and engage with traditional crafts, contributing to the resurgence of interest in Hanamusubi. Through the analysis of articles, advertisements, and interviews, this study illustrates how Hanamusubi transitioned from a niche cultural activity developed during the Edo period to a widely appreciated handicraft, mirroring broader social and cultural shifts in Japan from the late 1970s to the1980s. The investigation underscores the intersection of consumerism and gender, providing insights into the dynamic landscape of Japanese handicraft traditions.

10.18910/100271

100271

1970年代後半から1980年代にみる花結びの伝承 : カルチャーセンターと社会背景に注目して

矢島, 由佳

意匠学会

日本語

2025-01-31

デザイン理論

85

37

51

https://hdl.handle.net/11094/100271

10.18910/100271

https://doi.org/10.18910/100271