学術雑誌論文

本学関連学会

text

デザイン理論. 2026, 87, p. 5-19

日本語

text

2026-01-31

学術論文

This paper investigates from an academic point of view, how Western-style jewelry became ingrained in Japanese society and how it influenced Japanese dress, customs, and culture during the spread of Western-style fashion in postwar Japan. In particular, I focus on the origins of the Vendome Aoyama company and its designs in the form of a case study, due to the importance of its role in the history of jewelry in Japan. This study also examines the reflection of the times by examining specific examples of the kinds of products made and the designs and materials used.Vendome Aoyama’s founder, Yamada Minoru, was quick to identify trends and the needs of the times and continually proposed new models of jewelry. He undoubtedly played an important role in laying the foundation of the jewelry industry. In addition, Minoru’s roots as an ivory craftsman allowed him to create jewelry with an aesthetic that is similar to that of Japanese craftsmen. Thus, he could create jewelry that not only imitated the products of foreign cultures but also easily fit the physiques and fashion sense of the Japanese.

10.18910/103719

103719

戦後日本のファッション文化におけるジュエリー産業の興隆 : ヴァンドーム青山を事例に

坂田, 万青

意匠学会

日本語

2026-01-31

デザイン理論

87

5

19

https://hdl.handle.net/11094/103719

10.18910/103719

https://doi.org/10.18910/103719