『白樺』に先行する芸術運動 : 『明星』『スバル』『方寸』とその時代状況

清水, 康次

doi:info:doi/10.18910/27195

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論文情報

タイトル	『白樺』に先行する芸術運動 : 『明星』『スバル』『方寸』とその時代状況
別タイトル	The Art Movements Which Preceded Shirakaba : Myoujyou, Subaru, Housun, and the Situation Surrounding Them
タイトル (ヨミ)	シラカバ　ニ　センコウ　スル　ゲイジュツ　ウンドウ　ミョウジョウ　スバル　ホウスン　ト　ソノ　ジダイ　ジョウキョウ
著者	清水, 康次清水, 康次
著者の別表記	Shimizu, Yasutsugu
著者 (ヨミ)	シミズ, ヤスツグ
キーワード等	Shirakaba
	Myoujyou
	Subaru
	Housun
	Art Movements of Modern Japan
抄録	The literary magazine Shirakaba 『( 白樺』, 1910-1923) published many art-related articles and had a lasting impact, particularly through its introduction of various elements of Western Art. There were a number of publications at the time which featured both literary and artistic contents, yet originally this tradition is seen as having been established by Myoujyou and carried on by both Subaru and Shirakaba. There was a major change that took place in the art world in between the time of Myoujyou and that of Shirakaba, so it is difficult to view these publications＇ combination of art and literature as having occurred under the same conditions. This paper, therefore, examines the links between art and literature by taking up Myoujyou, Subaru, and Housun—identifying the unique characteristics as well as their points of divergence between each of the movements they represent. Myoujyou 『( 明星』, 1900-1908) was published as an organ of Shinshisya under the supervision of Yosano Hiroshi. Under his editorial direction, the covers and inserts featured Western style paintings and included several writings related to art. It realized ‘collaboration＇ with the still developing Japanese Western Art World and became a ‘great monument＇ that straddled the fields of art and literature. Japanese Western Art World, however, began its own independent activities which resulted in new types of art publications, but also marked the end of the‘ collaboration＇ with Myoujyou. Subaru 『( スバル』, 1909-1913) was Myoujyou’s successor in poetry. The covers and articles incorporated artistic elements and in addition featured Takamura Kōtarō＇scriticism and translations. Despite this, however, it never developed into the kind of artistic movement that was associated with Myoujyou. This confirms that the particular union between art and literature produced by Myoujyou was a one-time phenomenon that resulted from Japanese Western Art World still being in its infant stages. Housun 『( 方寸』, 1907-1911) was a literary coterie magazine centered on Ishii Hakutei＇sartist group, which featured poetry and art criticism. Through its covers and inserts, creative woodblock printing spread and it also offered an opportunity for literary figures and artists to gather at the “Pan no kai.” Housun was the result of friendly competition between like-minded people. It functioned as a place for the people on the side being judged to voice opposition to the Bunten exhibition, which was established in 1907. In that way, even though these were all magazines that allowed for the coexistence of art and literature, the movement connected to each of them was distinctly independent. Looking at the situation surrounding art at the time, however, there were serious problems facing the viewers as well—they had to develop their own criteria for evaluation. Through its introduction of a wide range of Western art, Shirakaba can be considered as having provided an important foothold for these experienced viewers.
公開者	大阪大学大学院文学研究科
公開者の別表記	Graduate School of Letters OSAKA UNIVERSITY
公開者 (ヨミ)	オオサカダイガクダイガクインブンガクケンキュウカ
掲載誌名	大阪大学大学院文学研究科紀要
巻	53
開始ページ	47
終了ページ	107
刊行年月	2013-03-31
ISSN	13453548
NCID	AA11430583
URL	http://hdl.handle.net/11094/27195
言語	日本語
DOI	info:doi/10.18910/27195
カテゴリ	紀要論文 Departmental Bulletin Paper
カテゴリ	大阪大学大学院文学研究科紀要 / 第53巻

著者版フラグ	publisher
NII資源タイプ	紀要論文
ローカル資源タイプ	紀要論文
dcmi資源タイプ	text
DCTERMS.bibliographicCitation	大阪大学大学院文学研究科紀要.53 P.47-P.107
DC.title	『白樺』に先行する芸術運動 : 『明星』『スバル』『方寸』とその時代状況
DCTERMS.alternative	The Art Movements Which Preceded Shirakaba : Myoujyou, Subaru, Housun, and the Situation Surrounding Them
DC.creator	清水, 康次
DC.creator	Shimizu, Yasutsugu
DC.publisher	大阪大学大学院文学研究科
DC.language" scheme="DCTERMS.RFC1766	日本語
DCTERMS.issued" scheme="DCTERMS.W3CDTF	2013-03-31
DC.identifier" scheme="DCTERMS.URI	http://hdl.handle.net/11094/27195
DC.subject	Shirakaba
	Myoujyou
	Subaru
	Housun
	Art Movements of Modern Japan
DCTERMS.abstract	The literary magazine Shirakaba 『( 白樺』, 1910-1923) published many art-related articles and had a lasting impact, particularly through its introduction of various elements of Western Art. There were a number of publications at the time which featured both literary and artistic contents, yet originally this tradition is seen as having been established by Myoujyou and carried on by both Subaru and Shirakaba. There was a major change that took place in the art world in between the time of Myoujyou and that of Shirakaba, so it is difficult to view these publications＇ combination of art and literature as having occurred under the same conditions. This paper, therefore, examines the links between art and literature by taking up Myoujyou, Subaru, and Housun—identifying the unique characteristics as well as their points of divergence between each of the movements they represent. Myoujyou 『( 明星』, 1900-1908) was published as an organ of Shinshisya under the supervision of Yosano Hiroshi. Under his editorial direction, the covers and inserts featured Western style paintings and included several writings related to art. It realized ‘collaboration＇ with the still developing Japanese Western Art World and became a ‘great monument＇ that straddled the fields of art and literature. Japanese Western Art World, however, began its own independent activities which resulted in new types of art publications, but also marked the end of the‘ collaboration＇ with Myoujyou. Subaru 『( スバル』, 1909-1913) was Myoujyou’s successor in poetry. The covers and articles incorporated artistic elements and in addition featured Takamura Kōtarō＇scriticism and translations. Despite this, however, it never developed into the kind of artistic movement that was associated with Myoujyou. This confirms that the particular union between art and literature produced by Myoujyou was a one-time phenomenon that resulted from Japanese Western Art World still being in its infant stages. Housun 『( 方寸』, 1907-1911) was a literary coterie magazine centered on Ishii Hakutei＇sartist group, which featured poetry and art criticism. Through its covers and inserts, creative woodblock printing spread and it also offered an opportunity for literary figures and artists to gather at the “Pan no kai.” Housun was the result of friendly competition between like-minded people. It functioned as a place for the people on the side being judged to voice opposition to the Bunten exhibition, which was established in 1907. In that way, even though these were all magazines that allowed for the coexistence of art and literature, the movement connected to each of them was distinctly independent. Looking at the situation surrounding art at the time, however, there were serious problems facing the viewers as well—they had to develop their own criteria for evaluation. Through its introduction of a wide range of Western art, Shirakaba can be considered as having provided an important foothold for these experienced viewers.
DC.identifier	info:doi/10.18910/27195
citation_title	『白樺』に先行する芸術運動 : 『明星』『スバル』『方寸』とその時代状況
citation_author	清水, 康次
citation_publisher	大阪大学大学院文学研究科
citation_language	日本語
citation_date	2013-03-31
citation_journal_title	大阪大学大学院文学研究科紀要
citation_volume	53
citation_firstpage	47
citation_lastpage	107
citation_issn	13453548
citation_public_url	http://hdl.handle.net/11094/27195
citation_keywords	Shirakaba
	Myoujyou
	Subaru
	Housun
	Art Movements of Modern Japan
citation_doi	info:doi/10.18910/27195

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