紀要論文

紀要論文

text

未来共生学. 2018, 5, p. 201-223

日本語

text

2018-03-11

論文

Coexistence is the challenge to live together without judging who possesses more worth than others. Participatory artistic practices, especially community dance have the same end since they pursue the accessibility of artistic experience for all people. While previous research has focused on the instrumental benefits or change experienced by people who are socially excluded, we consider each participant and the change they experience through community dance. Focusing only on the change that takes place within the socially excluded means not to discuss the problem of stigmatization which can easily evolve into the naturalization of discrimination within society. It also fails to recognize the bodily vulnerability which we all possess and should be accepted somehow. This essay introduces the aesthetic/perceptional politics of artistic practice as defined by Jack Rancière. Using examples from fieldwork and narratives from a dancer, we discover the “redistribution of the sensible” in community dance, re-defining what can be said, heard and seen in a new community and reconfiguring who has an ability and a disability. It is also a practice of emancipation as all can investigate their own expression. Here we can see an intersection of artistic practice and a challenge towards coexistence. We can interpret community dance as an activity sharing the ideal of the arts and crafts movements which endeavor to make everyday life rich and open through the joy of creativity. We have to pursue this happiness during artistic practice without judging who has more worth or is better than others.

10.18910/68214

68214

共生とアートの接点 : コミュニティダンスの考察から

小泉, 朝未

大阪大学未来戦略機構第五部門未来共生イノベーター博士課程プログラム

日本語

2018-03-11

未来共生学

5

201

223

https://hdl.handle.net/11094/68214

10.18910/68214

https://doi.org/10.18910/68214