雑誌ブラウズ
雑誌 全て
大阪大学 刊行物
ランキング
アクセスランキング
ダウンロードランキング
博士論文のみをさがす
リポジトリ登録支援システム
附属図書館
このアイテムのアクセス数:
433
件
(
2022-06-26
17:27 集計
)
このアイテムへのリンクには次のURLをご利用ください:
https://doi.org/10.18910/7429
このアイテムへのリンクには次のURLをご利用ください:http://hdl.handle.net/11094/7429
閲覧可能ファイル
ファイル
フォーマット
サイズ
閲覧回数
説明
ahs31_215
pdf
458 KB
1,257
論文情報
タイトル
Yaoi : Voices from the Margins
著者
Tricia Abigail Santos, Fermin
Tricia Abigail Santos, Fermin
キーワード等
yaoi
subculture
fan studies
counterculture
gender and sexuality
内容
研究ノート
抄録
The dynamics of conflict and resistance between subordinate social groups and hegemonic groups has always been a significant issue in the study of subcultures and fan activities. However, in the past decade, this theoretical perspective has been placed under critique by scholars from the social sciences, questioning whether subcultures and fan activities in reality always and necessarily express conflict and resistance towards hegemonic culture. This paper aims to illustrate this theoretical dilemma by examining the case of the yaoi genre and subculture in Japan. As we survey the various academic literature produced and fan accounts documented concerning the yaoi genre and subculture in Japan, we see that it has been often argued mainly through in-depth literary analyses of yaoi works that it serves as a tool and space for the dissenting voices against mainstream conceptions of gender and sexuality in Japan. Scholars and members of the subculture alike locate the beginnings of yaoi within the context of the Second Wave of Feminism in Japan during the 1970s, and constantly discuss how a pioneering group of women manga artists in this era devised the gender-bending conventions now used in this genre in order to reconcile their issues concerning equality among the sexes, the representations of and meaning imbued in the female body, and the nature of desire. However, in the final analysis, several questions still remain unresolved given the current state of knowledge regarding yaoi. This paper will consider these issues and in the end, propose several questions that the researcher will investigate in her future research plans.
公開者
大阪大学人間科学部社会学・人間学・人類学研究室
公開者 (ヨミ)
オオサカ ダイガク ニンゲン カガクブ シャカイガク ニンゲンガク ジンルイガク ケンキュウシツ
掲載誌名
年報人間科学
巻
31
開始ページ
215
終了ページ
228
刊行年月
2010
ISSN
02865149
NCID
AN0020011X
URL
http://hdl.handle.net/11094/7429
言語
英語
DOI
info:doi/10.18910/7429
カテゴリ
紀要論文 Departmental Bulletin Paper
年報人間科学 / 第31号
論文詳細を表示
著者版フラグ
publisher
NII資源タイプ
紀要論文
ローカル資源タイプ
紀要論文
dcmi資源タイプ
text
DCTERMS.bibliographicCitation
年報人間科学.31 P.215-P.228
DC.title
Yaoi : Voices from the Margins
DC.creator
Tricia Abigail Santos, Fermin
DC.publisher
大阪大学人間科学部社会学・人間学・人類学研究室
DC.language" scheme="DCTERMS.RFC1766
英語
DCTERMS.issued" scheme="DCTERMS.W3CDTF
2010
DC.identifier" scheme="DCTERMS.URI
http://hdl.handle.net/11094/7429
DC.subject
yaoi
subculture
fan studies
counterculture
gender and sexuality
DC.description
研究ノート
DCTERMS.abstract
The dynamics of conflict and resistance between subordinate social groups and hegemonic groups has always been a significant issue in the study of subcultures and fan activities. However, in the past decade, this theoretical perspective has been placed under critique by scholars from the social sciences, questioning whether subcultures and fan activities in reality always and necessarily express conflict and resistance towards hegemonic culture. This paper aims to illustrate this theoretical dilemma by examining the case of the yaoi genre and subculture in Japan. As we survey the various academic literature produced and fan accounts documented concerning the yaoi genre and subculture in Japan, we see that it has been often argued mainly through in-depth literary analyses of yaoi works that it serves as a tool and space for the dissenting voices against mainstream conceptions of gender and sexuality in Japan. Scholars and members of the subculture alike locate the beginnings of yaoi within the context of the Second Wave of Feminism in Japan during the 1970s, and constantly discuss how a pioneering group of women manga artists in this era devised the gender-bending conventions now used in this genre in order to reconcile their issues concerning equality among the sexes, the representations of and meaning imbued in the female body, and the nature of desire. However, in the final analysis, several questions still remain unresolved given the current state of knowledge regarding yaoi. This paper will consider these issues and in the end, propose several questions that the researcher will investigate in her future research plans.
DC.identifier
info:doi/10.18910/7429
citation_title
Yaoi : Voices from the Margins
citation_author
Tricia Abigail Santos, Fermin
citation_publisher
大阪大学人間科学部社会学・人間学・人類学研究室
citation_language
英語
citation_date
2010
citation_journal_title
年報人間科学
citation_volume
31
citation_firstpage
215
citation_lastpage
228
citation_issn
02865149
citation_public_url
http://hdl.handle.net/11094/7429
citation_keywords
yaoi
subculture
fan studies
counterculture
gender and sexuality
citation_doi
info:doi/10.18910/7429