1950年から1965年までの吉村順三の著作にみる伝統論について

羽藤, 広輔; ハトウ, コウスケ; Hato, Kosuke

doi:https://doi.org/10.18910/75318

このアイテムのアクセス数:202件（2023-09-29 19:28 集計）

このアイテムへのリンクには次のURLをご利用ください: https://doi.org/10.18910/75318

このアイテムへのリンクには次のURLをご利用ください: https://hdl.handle.net/11094/75318

閲覧可能ファイル

ファイル	フォーマット	利用条件	サイズ	閲覧回数	利用開始日	説明
jjsd74_067	pdf	なし	1.96 MB	371	2020.03.23

論文情報

ファイル出力

タイトル	1950年から1965年までの吉村順三の著作にみる伝統論について
	The Theory of Tradition in Junzo Yoshimura’s Written Works from 1950 to 1965
	1950ネン　カラ　１９６５ネン　マデ　ノ　ヨシムラ　ジュンゾウ　ノ　チョサク　ニ　ミル　デントウロン　ニ　ツイテ
著者	NRID 1000060466993 1000060466993 著者名羽藤, 広輔 ; ハトウ, コウスケ ; Hato, Kosuke
キーワード等	吉村順三
	伝統論
	伝統論争
	書院造
	民家
	Junzo Yoshimura
	Theory of tradition
	Dispute about Tradition
	Shoin style
	Folk dwellings
内容	学術論文
抄録	This paper clarifies the development of Junzo Yoshimiura’s theory of tradition from 1950 to 1965 by comprehensively examining his works (essays, interview articles, and descriptions of architectural works) written during the same period. In this research, Yoshimura’s unique ways of understanding tradition were analyzed in terms of the following three aspects. 1. Yoshimura argued for the balance between architecture and “life.” Based on the fact that Japan was originally a poor country, he emphasized that architecture should be suited to such life. 2. Yoshimura referred to “simplicity.” It was highlighted that the Japanese people did not exaggerate modeling and handled problems easily, which were related to modernity. 3. Yoshimura explained how to deal with “tradition” when designing architecture. He argued that it is important to adopt modern facilities and technology. In addition, the argument in previous studies regarding whether it was Shoin style or Sukiya style was hardly observed in Yoshimura’s discourse, and he rather liked folk dwellings. Furthermore, the statement that is most frequently seen in this research material is the concept that emphasizes the relationship between buildings and their surrounding nature and gardens. This can be said to have been an important ideological background for Yoshimura’s architectural design, even though it was a direction of traditional understanding that had already been formed in the 1930s.
出版者	意匠学会
出版者	The Japan Society of Design
収録物名	デザイン理論
収録物名	Journal of the Japan Society of Design
巻(号)	74
ページ	67-80
刊行年月	2019-08-08
言語	日本語
ハンドルURL	https://hdl.handle.net/11094/75318
DOI	https://doi.org/10.18910/75318
PISSN	09101578
NCID	AN00006762
アクセス権	open access
出版タイプ	Version of Record
カテゴリ	本学関連学会 Related Societies
カテゴリ	デザイン理論 / Vol.74(2019-08)

資源タイプ	学術雑誌論文
ローカル資源タイプ	本学関連学会
DCMI資源タイプ	text
DCTERMS.bibliographicCitation	デザイン理論. 2019, 74, p. 67-80
DC.title	1950年から1965年までの吉村順三の著作にみる伝統論について
	The Theory of Tradition in Junzo Yoshimura’s Written Works from 1950 to 1965
	1950ネン　カラ　１９６５ネン　マデ　ノ　ヨシムラ　ジュンゾウ　ノ　チョサク　ニ　ミル　デントウロン　ニ　ツイテ
DC.creator	羽藤, 広輔
	ハトウ, コウスケ
	Hato, Kosuke
DC.publisher	意匠学会
DC.publisher	The Japan Society of Design
DC.language' scheme='DCTERMS.RFC1766	日本語
DC.type' scheme='DCTERMS.DCMIType	text
DCTERMS.issued' scheme='DCTERMS.W3CDTF	2019-08-08
DC.subject	吉村順三
	伝統論
	伝統論争
	書院造
	民家
	Junzo Yoshimura
	Theory of tradition
	Dispute about Tradition
	Shoin style
	Folk dwellings
DC.description	学術論文
DCTERMS.abstract	This paper clarifies the development of Junzo Yoshimiura’s theory of tradition from 1950 to 1965 by comprehensively examining his works (essays, interview articles, and descriptions of architectural works) written during the same period. In this research, Yoshimura’s unique ways of understanding tradition were analyzed in terms of the following three aspects. 1. Yoshimura argued for the balance between architecture and “life.” Based on the fact that Japan was originally a poor country, he emphasized that architecture should be suited to such life. 2. Yoshimura referred to “simplicity.” It was highlighted that the Japanese people did not exaggerate modeling and handled problems easily, which were related to modernity. 3. Yoshimura explained how to deal with “tradition” when designing architecture. He argued that it is important to adopt modern facilities and technology. In addition, the argument in previous studies regarding whether it was Shoin style or Sukiya style was hardly observed in Yoshimura’s discourse, and he rather liked folk dwellings. Furthermore, the statement that is most frequently seen in this research material is the concept that emphasizes the relationship between buildings and their surrounding nature and gardens. This can be said to have been an important ideological background for Yoshimura’s architectural design, even though it was a direction of traditional understanding that had already been formed in the 1930s.
DC.identifier	10.18910/75318
DC.format	application/pdf
citation_doi	https://doi.org/10.18910/75318
citation_title	1950年から1965年までの吉村順三の著作にみる伝統論について
	The Theory of Tradition in Junzo Yoshimura’s Written Works from 1950 to 1965
	1950ネン　カラ　１９６５ネン　マデ　ノ　ヨシムラ　ジュンゾウ　ノ　チョサク　ニ　ミル　デントウロン　ニ　ツイテ
citation_author	羽藤, 広輔
	ハトウ, コウスケ
	Hato, Kosuke
citation_publisher	意匠学会
citation_publisher	The Japan Society of Design
citation_language	日本語
citation_date	2019-08-08
citation_journal_title	デザイン理論
citation_journal_title	Journal of the Japan Society of Design
citation_volume	74
citation_firstpage	67
citation_lastpage	80
citation_public_url	https://hdl.handle.net/11094/75318
citation_doi_detail	10.18910/75318

閲覧可能ファイル

論文情報

論文詳細を表示