1920 年代日本の芸術写真における「デザイン」と「光のリズム」

芦髙, 郁子

doi:https://doi.org/10.18910/75319

1920 年代日本の芸術写真における「デザイン」と「光のリズム」

芦髙, 郁子

デザイン理論, 2019, 74, 81-95

アクセス数:423件（2026-10-24 07:38 集計）

固定URL: https://doi.org/10.18910/75319

閲覧可能ファイル

ファイル	フォーマット	利用条件	サイズ	閲覧回数	利用開始日	説明	information
jjsd74_081	pdf	なし	1.46 MB	742	2020.03.23

論文情報

ファイル出力 EndNote Basic出力 Mendeley出力

タイトル	1920 年代日本の芸術写真における「デザイン」と「光のリズム」
	The Concepts of “Design” and “Rhythm of Light” in Japanese Artistic Photography in the 1920s
	1920ネンダイ　ニホン　ノ　ゲイジュツ　シャシン　ニ　オケル　デザイン　ト　ヒカリ　ノ　リズム
著者	著者名芦髙, 郁子 ; アシタカ, イクコ ; Ashitaka, Ikuko
キーワード等	日本芸術写真
	デザイン
	光のリズム
	抽象
	1920年代
	Japanese Artistic Photography
	Design
	Rhythm of Light
	Abstract
	the 1920’s
内容	学術論文
抄録	This paper is aimed at clarifying the concepts of “design” and “rhythm of light” as described in Japanese magazines and books in the 1920s. In 1921, Minoru Minami (1887–1948) advocated the concept of “design” in his work “Research of Artistic Photography.” It was defined as abstract composition and musical expression. In the following year, 1922, Minami published the photographic work “Design” in the magazine “Artistic Photography Study.” It was abstract still life photography composed with soft focus, the expression in which was defined by Minami as “rhythmic.” Kenkichi Nakajima (1888–1972), who was influenced by Minami’s concept of “design,” advocated “expressionism of the photograph.” Nakajima inherited a compilation entitled “Artistic Photography Study” from Minami, and he positioned “rhythm of light” as an important element within the “expressionism of the photograph.” The articles published in “Artistic Photography Study” (from Nakajima’s compilation period) were influenced by the social transformations resulting from urban modernization, and many photographs of the urban landscape were printed in these articles. They were geometrically abstracted. “Rhythm of light” showed a change in the subject of photography in that the subject had spread to the urban landscape, while simultaneously being affected by “design.” Thus, the concepts of “design” and “rhythm of light” had a great influence on photographers of the 1920s, enabling them to create a plethora of abstract and musical photographic images.
出版者	意匠学会
出版者	The Japan Society of Design
収録物名	デザイン理論
収録物名	Journal of the Japan Society of Design
巻(号)	74
ページ	81-95
刊行年月	2019-08-08
言語	日本語
ハンドルURL	https://hdl.handle.net/11094/75319
DOI	https://doi.org/10.18910/75319
PISSN	09101578
NCID	AN00006762
アクセス権	open access
出版タイプ	Version of Record
カテゴリ	本学関連学会 Related Societies
カテゴリ	デザイン理論 / Vol.74(2019-08)

資源タイプ	学術雑誌論文
ローカル資源タイプ	本学関連学会
DCMI資源タイプ	text
DCTERMS.bibliographicCitation	デザイン理論. 2019, 74, p. 81-95
DC.title	1920 年代日本の芸術写真における「デザイン」と「光のリズム」
	The Concepts of “Design” and “Rhythm of Light” in Japanese Artistic Photography in the 1920s
	1920ネンダイ　ニホン　ノ　ゲイジュツ　シャシン　ニ　オケル　デザイン　ト　ヒカリ　ノ　リズム
DC.creator	芦髙, 郁子
	アシタカ, イクコ
	Ashitaka, Ikuko
DC.publisher	意匠学会
DC.publisher	The Japan Society of Design
DC.language' scheme='DCTERMS.RFC1766	日本語
DC.type' scheme='DCTERMS.DCMIType	text
DCTERMS.issued' scheme='DCTERMS.W3CDTF	2019-08-08
DC.subject	日本芸術写真
	デザイン
	光のリズム
	抽象
	1920年代
	Japanese Artistic Photography
	Design
	Rhythm of Light
	Abstract
	the 1920’s
DC.description	学術論文
DCTERMS.abstract	This paper is aimed at clarifying the concepts of “design” and “rhythm of light” as described in Japanese magazines and books in the 1920s. In 1921, Minoru Minami (1887–1948) advocated the concept of “design” in his work “Research of Artistic Photography.” It was defined as abstract composition and musical expression. In the following year, 1922, Minami published the photographic work “Design” in the magazine “Artistic Photography Study.” It was abstract still life photography composed with soft focus, the expression in which was defined by Minami as “rhythmic.” Kenkichi Nakajima (1888–1972), who was influenced by Minami’s concept of “design,” advocated “expressionism of the photograph.” Nakajima inherited a compilation entitled “Artistic Photography Study” from Minami, and he positioned “rhythm of light” as an important element within the “expressionism of the photograph.” The articles published in “Artistic Photography Study” (from Nakajima’s compilation period) were influenced by the social transformations resulting from urban modernization, and many photographs of the urban landscape were printed in these articles. They were geometrically abstracted. “Rhythm of light” showed a change in the subject of photography in that the subject had spread to the urban landscape, while simultaneously being affected by “design.” Thus, the concepts of “design” and “rhythm of light” had a great influence on photographers of the 1920s, enabling them to create a plethora of abstract and musical photographic images.
DC.identifier	10.18910/75319
DC.format	75319
citation_title	1920 年代日本の芸術写真における「デザイン」と「光のリズム」
citation_author	芦髙, 郁子
citation_publisher	意匠学会
citation_language	日本語
citation_date	2019-08-08
citation_journal_title	デザイン理論
citation_volume	74
citation_firstpage	81
citation_lastpage	95
citation_public_url	https://hdl.handle.net/11094/75319
citation_doi_detail	10.18910/75319
citation_doi	https://doi.org/10.18910/75319

1920 年代日本の芸術写真における「デザイン」と「光のリズム」

閲覧可能ファイル

論文情報

論文詳細を表示