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論文情報
タイトル
「二次元世界」の活動空間 : 中国における日本サブカルチャーの受容空間「動漫論壇」をめぐって
別タイトル
Active Field in the "Èrcìyuán world" : A study on "Dongman Luntan", an acceptance space ofJapanese subcultute in china
タイトル (ヨミ)
ニジゲン セカイ ノ カツドウ クウカン チュウゴク ニ オケル ニホン サブカルチャー ノ ジュヨウ クウカン ドウマン ロンダン ヲ メグッテ
著者
湯, 天軼
湯, 天軼
著者の別表記
Tang, Tianyi
内容
論文
抄録
In the acceptance process of Japanese subculture in China since 2000s, the kind of BBS called "Dongman Luntan", functioning as a place providing the subculture recipients information and communication areas, is one of the peculiar topos which gives clearly the outline of the subculture world called "two-dimensional world". In this paper, I try an elucidation about the vision-central communication structure of the "Dongman Luntan", by considering it phenomenologically as the active field in the "èrcìyuán world" (two-dimensional world) for the BBS users' possible experiences there. It is declared by the Chinese recipients that the concept of "two dimensions" originated in Japanese subculture has been receipted as a <world>, an existence domain for them. And the intuition to this "two-dimensional world" exceeds the semantic grasp depended on language, while changing the recipients' sensory bodies. As a part of "èrcìyuán world", "Dongman Luntan" differs widely from other websites, firstly by its unique appearance. It is a peculiar transmission space for subculture which provides the method of moving in an exhibitive space with the illustration of an anime tone, as well as formative values from linguistic signs. Furthermore, the communication performed there is materialized by some kind of intersubjective <reading> only belonging to this space, and the users' desire of <conversation> is also attached to the form of externalization = visualization only in this space. Therefore I give examples in this paper to explain that the user experience of the "Dongman Luntan" has caused the chain of a vision-central desire around the Japanese subculture.
公開者
国際日本学研究会
コクサイニホンガクケンキュウカイ
掲載誌名
文化/批評
巻
8
開始ページ
49
終了ページ
70
刊行年月
2017-03-15
ISSN
18827411
NCID
AA12530550
URL
http://hdl.handle.net/11094/75732
言語
日本語
カテゴリ
本学関連学会 Related Societies
文化/批評 / 第8号
論文詳細を表示
著者版フラグ
publisher
NII資源タイプ
学術雑誌論文
ローカル資源タイプ
本学関連学会
dcmi資源タイプ
text
DCTERMS.bibliographicCitation
文化/批評.8 P.49-P.70
DC.title
「二次元世界」の活動空間 : 中国における日本サブカルチャーの受容空間「動漫論壇」をめぐって
DCTERMS.alternative
Active Field in the "Èrcìyuán world" : A study on "Dongman Luntan", an acceptance space ofJapanese subcultute in china
DC.creator
湯, 天軼
DC.creator
Tang, Tianyi
DC.publisher
国際日本学研究会
コクサイニホンガクケンキュウカイ
DC.language" scheme="DCTERMS.RFC1766
日本語
DCTERMS.issued" scheme="DCTERMS.W3CDTF
2017-03-15
DC.identifier" scheme="DCTERMS.URI
http://hdl.handle.net/11094/75732
DC.description
論文
DCTERMS.abstract
In the acceptance process of Japanese subculture in China since 2000s, the kind of BBS called "Dongman Luntan", functioning as a place providing the subculture recipients information and communication areas, is one of the peculiar topos which gives clearly the outline of the subculture world called "two-dimensional world". In this paper, I try an elucidation about the vision-central communication structure of the "Dongman Luntan", by considering it phenomenologically as the active field in the "èrcìyuán world" (two-dimensional world) for the BBS users' possible experiences there. It is declared by the Chinese recipients that the concept of "two dimensions" originated in Japanese subculture has been receipted as a <world>, an existence domain for them. And the intuition to this "two-dimensional world" exceeds the semantic grasp depended on language, while changing the recipients' sensory bodies. As a part of "èrcìyuán world", "Dongman Luntan" differs widely from other websites, firstly by its unique appearance. It is a peculiar transmission space for subculture which provides the method of moving in an exhibitive space with the illustration of an anime tone, as well as formative values from linguistic signs. Furthermore, the communication performed there is materialized by some kind of intersubjective <reading> only belonging to this space, and the users' desire of <conversation> is also attached to the form of externalization = visualization only in this space. Therefore I give examples in this paper to explain that the user experience of the "Dongman Luntan" has caused the chain of a vision-central desire around the Japanese subculture.
citation_title
「二次元世界」の活動空間 : 中国における日本サブカルチャーの受容空間「動漫論壇」をめぐって
citation_author
湯, 天軼
citation_publisher
国際日本学研究会
コクサイニホンガクケンキュウカイ
citation_language
日本語
citation_date
2017-03-15
citation_journal_title
文化/批評
citation_volume
8
citation_firstpage
49
citation_lastpage
70
citation_issn
18827411
citation_public_url
http://hdl.handle.net/11094/75732