「二次元世界」の活動空間 : 中国における日本サブカルチャーの受容空間「動漫論壇」をめぐって

湯, 天軼

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タイトル	「二次元世界」の活動空間 : 中国における日本サブカルチャーの受容空間「動漫論壇」をめぐって
別タイトル	Active Field in the "Èrcìyuán world" : A study on "Dongman Luntan", an acceptance space ofJapanese subcultute in china
タイトル (ヨミ)	ニジゲン　セカイ　ノ　カツドウ　クウカン　チュウゴク　ニ　オケル　ニホン　サブカルチャー　ノ　ジュヨウ　クウカン　ドウマン　ロンダン　ヲ　メグッテ
著者	湯, 天軼湯, 天軼
著者の別表記	Tang, Tianyi
内容	論文
抄録	In the acceptance process of Japanese subculture in China since 2000s, the kind of BBS called "Dongman Luntan", functioning as a place providing the subculture recipients information and communication areas, is one of the peculiar topos which gives clearly the outline of the subculture world called "two-dimensional world". In this paper, I try an elucidation about the vision-central communication structure of the "Dongman Luntan", by considering it phenomenologically as the active field in the "èrcìyuán world" (two-dimensional world) for the BBS users' possible experiences there. It is declared by the Chinese recipients that the concept of "two dimensions" originated in Japanese subculture has been receipted as a <world>, an existence domain for them. And the intuition to this "two-dimensional world" exceeds the semantic grasp depended on language, while changing the recipients' sensory bodies. As a part of "èrcìyuán world", "Dongman Luntan" differs widely from other websites, firstly by its unique appearance. It is a peculiar transmission space for subculture which provides the method of moving in an exhibitive space with the illustration of an anime tone, as well as formative values from linguistic signs. Furthermore, the communication performed there is materialized by some kind of intersubjective <reading> only belonging to this space, and the users' desire of <conversation> is also attached to the form of externalization = visualization only in this space. Therefore I give examples in this paper to explain that the user experience of the "Dongman Luntan" has caused the chain of a vision-central desire around the Japanese subculture.
公開者	国際日本学研究会
公開者	コクサイニホンガクケンキュウカイ
掲載誌名	文化/批評
巻	8
開始ページ	49
終了ページ	70
刊行年月	2017-03-15
ISSN	18827411
NCID	AA12530550
URL	http://hdl.handle.net/11094/75732
言語	日本語
カテゴリ	本学関連学会 Related Societies
カテゴリ	文化/批評 / 第8号

著者版フラグ	publisher
NII資源タイプ	学術雑誌論文
ローカル資源タイプ	本学関連学会
dcmi資源タイプ	text
DCTERMS.bibliographicCitation	文化/批評.8 P.49-P.70
DC.title	「二次元世界」の活動空間 : 中国における日本サブカルチャーの受容空間「動漫論壇」をめぐって
DCTERMS.alternative	Active Field in the "Èrcìyuán world" : A study on "Dongman Luntan", an acceptance space ofJapanese subcultute in china
DC.creator	湯, 天軼
DC.creator	Tang, Tianyi
DC.publisher	国際日本学研究会
DC.publisher	コクサイニホンガクケンキュウカイ
DC.language" scheme="DCTERMS.RFC1766	日本語
DCTERMS.issued" scheme="DCTERMS.W3CDTF	2017-03-15
DC.identifier" scheme="DCTERMS.URI	http://hdl.handle.net/11094/75732
DC.description	論文
DCTERMS.abstract	In the acceptance process of Japanese subculture in China since 2000s, the kind of BBS called "Dongman Luntan", functioning as a place providing the subculture recipients information and communication areas, is one of the peculiar topos which gives clearly the outline of the subculture world called "two-dimensional world". In this paper, I try an elucidation about the vision-central communication structure of the "Dongman Luntan", by considering it phenomenologically as the active field in the "èrcìyuán world" (two-dimensional world) for the BBS users' possible experiences there. It is declared by the Chinese recipients that the concept of "two dimensions" originated in Japanese subculture has been receipted as a <world>, an existence domain for them. And the intuition to this "two-dimensional world" exceeds the semantic grasp depended on language, while changing the recipients' sensory bodies. As a part of "èrcìyuán world", "Dongman Luntan" differs widely from other websites, firstly by its unique appearance. It is a peculiar transmission space for subculture which provides the method of moving in an exhibitive space with the illustration of an anime tone, as well as formative values from linguistic signs. Furthermore, the communication performed there is materialized by some kind of intersubjective <reading> only belonging to this space, and the users' desire of <conversation> is also attached to the form of externalization = visualization only in this space. Therefore I give examples in this paper to explain that the user experience of the "Dongman Luntan" has caused the chain of a vision-central desire around the Japanese subculture.
citation_title	「二次元世界」の活動空間 : 中国における日本サブカルチャーの受容空間「動漫論壇」をめぐって
citation_author	湯, 天軼
citation_publisher	国際日本学研究会
citation_publisher	コクサイニホンガクケンキュウカイ
citation_language	日本語
citation_date	2017-03-15
citation_journal_title	文化/批評
citation_volume	8
citation_firstpage	49
citation_lastpage	70
citation_issn	18827411
citation_public_url	http://hdl.handle.net/11094/75732

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