学術雑誌論文

本学関連学会

text

文化/批評. 2017, 8, p. 89-113

日本語

text

2017-03-15

論文

This study unfolds possibilities and challenges of participatory "sewing" in the context of art through a case study of a project held in Japan by an "Asian" female artist. It analyzes not only the final artwork but also the process of the workshops presented. Participatory "sewing" art, "HOUSE OF COMFORT" by Filipino artist Alma Quinto, was held in four different art museums in Japan from 2012 to 2013 as part of the exhibition entitled "Women In-Between: Asian Women Artists 1984-2012". The title of this work implies that a "house" is a comfortable space but it also possesses hidden power politics that could contain the risk of abuse. It is possible to say that abuse is a reproduction of the power politics embedded in the system of a "house". The "museums" that presented this artwork is not a "house", but it also has a "system". During the workshop of "HOUSE OF COMFORT", the "museums" became a comfortable space, which gave protection to the participants who were put in a vulnerable position and provided them an opportunity to develop new relationships with each other through the shared experience of participation.

75734

参加型<裁縫>アートの一事例 : 「アジアをつなぐ」展参加作品《HOUSE OF COMFORT》のワークショップを中心に

中西, 美穂

国際日本学研究会

日本語

2017-03-15

文化/批評

8

89

113

https://hdl.handle.net/11094/75734