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このアイテムへのリンクには次のURLをご利用ください:http://hdl.handle.net/11094/75740
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論文情報
タイトル
1950年代における炭鉱記録としての映画『にあんちゃん』の日韓比較
別タイトル
Comparison of representations of coalmining in South Korea and Japan of the 1950's in the two movies "My second brother"(Jp.)/ "Even the clouds are drifting" (S. Kor.) (1959)
タイトル (ヨミ)
1950ネンダイ ニ オケル タンコウ キロク ト シテノ エイガ ニアンチャン ノ ニッカン ヒカク
著者
姜, 文姫
姜, 文姫
著者の別表記
Kang, MunHee
内容
論文
抄録
In this article, I focus on the Japanese and the South Korean movies based on "Nianchan"( "My second brother") by Yasumoto Sueko, a Zainichi Korean, which was published in 1958 and caused a great sensation in South Korea as well as in Japan. The objective of this analysis is to show how coalmining is represented through the appearance of Zainichi Koreans and Koreans living in South Korea in both movies. The original work "Nianchan" was read in both Japan and South Korea as an account of the experience of "Zainichi Koreans/Koreans" and their life and labor in the coal mine. Both movies, separately produced and filmed in Japan and South Korea, depict a coal mine village, the setting of "Nianchan", and the life and work in the mine is in the center of the story. Yet, the emphasis of the two movies is dissimilar. The Japanese version focuses on the personal hardships of the Zainichi Korean workers due to discrimination and the separation of family members. On the other hand, in the Korean version, working in a coal mine is portrayed as a guarantee for a promising future. Focusing on these different depictions of coal mining in the Japanese and South Korean film adaptations, I attempt to shed light on and present a critical account of the diverging social and political conditions and discourses in which coal mining took place in the Japanese and South Korean context of this time.
公開者
国際日本学研究会
コクサイニホンガクケンキュウカイ
掲載誌名
文化/批評
巻
9
開始ページ
83
終了ページ
96
刊行年月
2018-09-30
ISSN
18827411
NCID
AA12530550
URL
http://hdl.handle.net/11094/75740
言語
日本語
カテゴリ
本学関連学会 Related Societies
文化/批評 / 第9号
論文詳細を表示
著者版フラグ
publisher
NII資源タイプ
学術雑誌論文
ローカル資源タイプ
本学関連学会
dcmi資源タイプ
text
DCTERMS.bibliographicCitation
文化/批評.9 P.83-P.96
DC.title
1950年代における炭鉱記録としての映画『にあんちゃん』の日韓比較
DCTERMS.alternative
Comparison of representations of coalmining in South Korea and Japan of the 1950's in the two movies "My second brother"(Jp.)/ "Even the clouds are drifting" (S. Kor.) (1959)
DC.creator
姜, 文姫
DC.creator
Kang, MunHee
DC.publisher
国際日本学研究会
コクサイニホンガクケンキュウカイ
DC.language" scheme="DCTERMS.RFC1766
日本語
DCTERMS.issued" scheme="DCTERMS.W3CDTF
2018-09-30
DC.identifier" scheme="DCTERMS.URI
http://hdl.handle.net/11094/75740
DC.description
論文
DCTERMS.abstract
In this article, I focus on the Japanese and the South Korean movies based on "Nianchan"( "My second brother") by Yasumoto Sueko, a Zainichi Korean, which was published in 1958 and caused a great sensation in South Korea as well as in Japan. The objective of this analysis is to show how coalmining is represented through the appearance of Zainichi Koreans and Koreans living in South Korea in both movies. The original work "Nianchan" was read in both Japan and South Korea as an account of the experience of "Zainichi Koreans/Koreans" and their life and labor in the coal mine. Both movies, separately produced and filmed in Japan and South Korea, depict a coal mine village, the setting of "Nianchan", and the life and work in the mine is in the center of the story. Yet, the emphasis of the two movies is dissimilar. The Japanese version focuses on the personal hardships of the Zainichi Korean workers due to discrimination and the separation of family members. On the other hand, in the Korean version, working in a coal mine is portrayed as a guarantee for a promising future. Focusing on these different depictions of coal mining in the Japanese and South Korean film adaptations, I attempt to shed light on and present a critical account of the diverging social and political conditions and discourses in which coal mining took place in the Japanese and South Korean context of this time.
citation_title
1950年代における炭鉱記録としての映画『にあんちゃん』の日韓比較
citation_author
姜, 文姫
citation_publisher
国際日本学研究会
コクサイニホンガクケンキュウカイ
citation_language
日本語
citation_date
2018-09-30
citation_journal_title
文化/批評
citation_volume
9
citation_firstpage
83
citation_lastpage
96
citation_issn
18827411
citation_public_url
http://hdl.handle.net/11094/75740