The Subversion of Male Hegemony in Pipilotti Rist's Representation

Shibao, Mayo

doi:https://doi.org/10.18910/91088

The Subversion of Male Hegemony in Pipilotti Rist's Representation

Shibao, Mayo

Proceedings of 4th International Seminar for the Promotion of International Exchange : International Exchange in the Age of Society 5.0, 2023, 50-54

アクセス数:240件（2026-07-27 22:34 集計）

固定URL: https://doi.org/10.18910/91088

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タイトル	The Subversion of Male Hegemony in Pipilotti Rist's Representation
著者	著者名 Shibao, Mayo
抄録	Pipilotti Rist (1962-), who is a video artist from Switzerland, she has been worked focusing on the female body. She started her career since 1986 with a work "I'm Not a Girl who misses so much" and continues to be active today with her bright colors and pop style. Rist’s works are often mentioned that they are related with the feminism. In particular, "Ever is over all" (1997) won an award at the Venice Biennale. What is the ideological source of her representations of women? Reseachers have often pointed out that Rist's work is influenced by the idea of écriture feminine. For example, Nancy Specter, has pointed out that Rist's work has its ideological sources in French post-structuralist feminism, such as Irigaray and Cixous at the art magazine Parkett. There is also a study of the work that made Rist famous, Ever is over all, which analyzes the symbolic system represented while using Bakhtin's Carnivalesque theory. Since Irigaray and Cixous were influenced by Bakhtin, there is no doubt that some influence of écriture feminine can be found in Rist's work. However, none of these studies have examined the direct similarities between Rist's expression and the écriture feminine. In this presentation, I will describe the characteristic expressions of Pipilotti Rist. Then, after summarizing previous research on these works, I will point out that écriture feminine is key to consideration when analyzing her work from a feminist perspective.
出版者	International Affairs Office, School of Letters/Graduate School of Humanities, Osaka University
収録物名	Proceedings of 4th International Seminar for the Promotion of International Exchange : International Exchange in the Age of Society 5.0
ページ	50-54
刊行年月	2023-03
言語	英語
ハンドルURL	https://hdl.handle.net/11094/91088
DOI	https://doi.org/10.18910/91088
関連情報 (isIdenticalTo)	ISBN 978-4-908326-11-0
アクセス権	open access
出版タイプ	Version of Record
カテゴリ	会議発表論文 Conference Paper
カテゴリ	International Exchange in the Age of Society 5.0

資源タイプ	会議発表論文
ローカル資源タイプ	会議発表論文
DCMI資源タイプ	text
DCTERMS.bibliographicCitation	Proceedings of 4th International Seminar for the Promotion of International Exchange : International Exchange in the Age of Society 5.0. 2023, p. 50-54
DC.title	The Subversion of Male Hegemony in Pipilotti Rist's Representation
DC.creator	Shibao, Mayo
DC.publisher	International Affairs Office, School of Letters/Graduate School of Humanities, Osaka University
DC.language' scheme='DCTERMS.RFC1766	英語
DC.type' scheme='DCTERMS.DCMIType	text
DCTERMS.issued' scheme='DCTERMS.W3CDTF	2023-03
DCTERMS.abstract	Pipilotti Rist (1962-), who is a video artist from Switzerland, she has been worked focusing on the female body. She started her career since 1986 with a work "I'm Not a Girl who misses so much" and continues to be active today with her bright colors and pop style. Rist’s works are often mentioned that they are related with the feminism. In particular, "Ever is over all" (1997) won an award at the Venice Biennale. What is the ideological source of her representations of women? Reseachers have often pointed out that Rist's work is influenced by the idea of écriture feminine. For example, Nancy Specter, has pointed out that Rist's work has its ideological sources in French post-structuralist feminism, such as Irigaray and Cixous at the art magazine Parkett. There is also a study of the work that made Rist famous, Ever is over all, which analyzes the symbolic system represented while using Bakhtin's Carnivalesque theory. Since Irigaray and Cixous were influenced by Bakhtin, there is no doubt that some influence of écriture feminine can be found in Rist's work. However, none of these studies have examined the direct similarities between Rist's expression and the écriture feminine. In this presentation, I will describe the characteristic expressions of Pipilotti Rist. Then, after summarizing previous research on these works, I will point out that écriture feminine is key to consideration when analyzing her work from a feminist perspective.
DC.identifier	10.18910/91088
DC.format	91088
citation_title	The Subversion of Male Hegemony in Pipilotti Rist's Representation
citation_author	Shibao, Mayo
citation_publisher	International Affairs Office, School of Letters/Graduate School of Humanities, Osaka University
citation_language	英語
citation_date	2023-03
citation_journal_title	Proceedings of 4th International Seminar for the Promotion of International Exchange : International Exchange in the Age of Society 5.0
citation_firstpage	50
citation_lastpage	54
citation_public_url	https://hdl.handle.net/11094/91088
citation_doi_detail	10.18910/91088
citation_doi	https://doi.org/10.18910/91088

The Subversion of Male Hegemony in Pipilotti Rist's Representation

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