Commercial Interior Design by Sinya Okayama from 1970 to 1973

Hashimoto, Keiko

doi:https://doi.org/10.18910/91145

アクセス数:62件（2025-01-03 07:49 集計）

固定URL: https://doi.org/10.18910/91145

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タイトル	Commercial Interior Design by Sinya Okayama from 1970 to 1973
著者	NRID 1000020610570 1000020610570 著者名 Hashimoto, Keiko
キーワード等	Sinya Okayama
	Interior Design
	Shop Interior
	Commercial Interior
内容	Session V : Design and Identity
抄録	Sinya Okayama (b.1941) has been designing furniture, products and commercial interiors as a freelance designer based in Osaka since 1970. In the mid-1960s and early 1970s, the commercial interior design practice in Tokyo was stimulated by the avant-garde art of the time. Okayama's work is one of the few examples in Osaka. His works have been published in Domus and Japan Interior Design, and his collaborations with architect Takashi Sakaizawa and architect Alessandro Mendini have been highly acclaimed in Japan and abroad. However, Okayama's activities have not been studied by design or architectural historians until now. Therefore, this study aims to clarify the concept and method of his design and to explore the significance of his works in interior design. As the first result of this research, this presentation will review his activities from 1970, when he became independent as a freelancer, to 1973, when the practice of commercial interior design suddenly became stagnant due to the oil crisis. During the period from 1970 to 1973, Okayama designed a lot of restaurants including Shaggy (1970), Ghana (1971), Motani (1971), and Area (1973). The early 1970s was the heyday of so-called minimalist design, including Shiro Kuramata's all-white commercial interiors, and Okayama’s coffee shops also reflected such fashion. However, in these shops, Okayama experimented with various shapes, colors, and light in the space in order to break through the preconceived notions of minimalist design methods in commercial spaces. Nevertheless, he never forgot that he should create a space which was comfortable for people. This paper, therefore, based on a literature survey and an interview with Okayama himself, will clarify his method and attempt to verify its significance in interior design.
出版者	The ACDHT 2021 OSAKA Executive Committee
収録物名	The Journal of the Asian Conference of Design History and Theory
巻(号)	4
ページ	100-109
刊行年月	2022-03
言語	英語
ハンドルURL	https://hdl.handle.net/11094/91145
DOI	https://doi.org/10.18910/91145
eISSN	21897166
アクセス権	open access
出版タイプ	Version of Record
カテゴリ	本学関連学会 Related Societies
カテゴリ	The Journal of the Asian Conference of Design History and Theory / No.4

資源タイプ	学術雑誌論文
ローカル資源タイプ	本学関連学会
DCMI資源タイプ	text
DCTERMS.bibliographicCitation	The Journal of the Asian Conference of Design History and Theory. 2022, 4, p. 100-109
DC.title	Commercial Interior Design by Sinya Okayama from 1970 to 1973
DC.creator	Hashimoto, Keiko
DC.publisher	The ACDHT 2021 OSAKA Executive Committee
DC.language' scheme='DCTERMS.RFC1766	英語
DC.type' scheme='DCTERMS.DCMIType	text
DCTERMS.issued' scheme='DCTERMS.W3CDTF	2022-03
DC.subject	Sinya Okayama
	Interior Design
	Shop Interior
	Commercial Interior
DC.description	Session V : Design and Identity
DCTERMS.abstract	Sinya Okayama (b.1941) has been designing furniture, products and commercial interiors as a freelance designer based in Osaka since 1970. In the mid-1960s and early 1970s, the commercial interior design practice in Tokyo was stimulated by the avant-garde art of the time. Okayama's work is one of the few examples in Osaka. His works have been published in Domus and Japan Interior Design, and his collaborations with architect Takashi Sakaizawa and architect Alessandro Mendini have been highly acclaimed in Japan and abroad. However, Okayama's activities have not been studied by design or architectural historians until now. Therefore, this study aims to clarify the concept and method of his design and to explore the significance of his works in interior design. As the first result of this research, this presentation will review his activities from 1970, when he became independent as a freelancer, to 1973, when the practice of commercial interior design suddenly became stagnant due to the oil crisis. During the period from 1970 to 1973, Okayama designed a lot of restaurants including Shaggy (1970), Ghana (1971), Motani (1971), and Area (1973). The early 1970s was the heyday of so-called minimalist design, including Shiro Kuramata's all-white commercial interiors, and Okayama’s coffee shops also reflected such fashion. However, in these shops, Okayama experimented with various shapes, colors, and light in the space in order to break through the preconceived notions of minimalist design methods in commercial spaces. Nevertheless, he never forgot that he should create a space which was comfortable for people. This paper, therefore, based on a literature survey and an interview with Okayama himself, will clarify his method and attempt to verify its significance in interior design.
DC.identifier	10.18910/91145
DC.format	91145
citation_title	Commercial Interior Design by Sinya Okayama from 1970 to 1973
citation_author	Hashimoto, Keiko
citation_publisher	The ACDHT 2021 OSAKA Executive Committee
citation_language	英語
citation_date	2022-03
citation_journal_title	The Journal of the Asian Conference of Design History and Theory
citation_volume	4
citation_firstpage	100
citation_lastpage	109
citation_public_url	https://hdl.handle.net/11094/91145
citation_doi_detail	10.18910/91145
citation_doi	https://doi.org/10.18910/91145

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