学術雑誌論文

本学関連学会

text

デザイン理論. 2023, 82, p. 23-37

日本語

text

2023-08-10

学術論文

This study focuses on the activities of Shimotori Yukihiko (1884–1982), generally known as a Western-style painter, during the 1920s and 1930s, based on his role as a design researcher. Specifically, it first overviews his achievements as a design researcher over the analyzed period, confirming that he served as a judge for many important exhibitions, including the Shoko-ten Exhibition and the Commercial Art Promotion Movement Exhibition organized by the Osaka Mainichi Shimbun, and as an advisor to various design research groups, including the Shinbi-kai, Kyoto Crafts Association, and Press Alt Research Association. Next, this study clarifies Shimotori’s view of design at that time by analyzing four of his discourses on advertising and commercial art during the studied period. The analysis proves that Shimotori was guiding designers through his activities as a judge and advisor, while also trying to pioneer uniquely Japanese designs at a time when the concept of “design” had been imported from the West and Japanese and Western designs were mixed. Furthermore, he played the role of a spokesman of design theory to popularize the concepts of “commercial art” and “advertising art” in the industrial sector and in general stores in Kansai through his broadcasts and lectures. In conclusion, Shimotori was an important pioneer of Kansai design in the 1920s and 1930s.

10.18910/92367

92367

図案研究者としての霜鳥之彦 : 1920〜30年代にみる図案についての言説

和田, 積希

意匠学会

日本語

2023-08-10

デザイン理論

82

23

37

https://hdl.handle.net/11094/92367

10.18910/92367

https://doi.org/10.18910/92367