毛女図像の研究 : 大阪市立東洋陶磁美術館蔵《五彩仙人図盤》を題材に

毛, 嘉琪

doi:https://doi.org/10.18910/93424

毛女図像の研究 : 大阪市立東洋陶磁美術館蔵《五彩仙人図盤》を題材に

毛, 嘉琪

デザイン理論, 2024, 83, 33-47

アクセス数:282件（2026-07-11 17:26 集計）

固定URL: https://doi.org/10.18910/93424

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タイトル	毛女図像の研究 : 大阪市立東洋陶磁美術館蔵《五彩仙人図盤》を題材に
	A Study of Daoist Immortal Mao Nü : Ming Dynasty Zhangzhou Ware Plate with a Hermit in the collection of the Museum of Oriental Ceramics, Osaka
	モウジョ　ズゾウ　ノ　ケンキュウ　オオサカシリツ　トウヨウ　トウジ　ビジュツカン　ゾウ　ゴサイ　センニン　ズバン　ヲ　ダイザイ　ニ
著者	著者名毛, 嘉琪 ; Mao, Jiaqi
キーワード等	漳州窯
	道教
	仙人
	意匠
	纏足
	Swatow Ware
	Daoism
	Immortal
	Design
	Foot Binding
内容	学術論文
抄録	Daoist immortals are one of the most popular and auspicious iconographies in Asian Art, and this paper focuses on one specific human figure painted on a Swatow (Zhangzhou) ware plate from the Ming dynasty, now in the collection of the Museum of Oriental Ceramics, Osaka. A barefoot immortal with a deer, holding a cane and carrying a basket with a parasol above her head is depicted in the center of the piece. This paper attempts to show that the figure is the Daoist Immortal Mao Nü, who once served at the palace of Emperor Qin Shi Huang in the third century BC. After the fall of the dynasty, she took refuge in the mountains, attaining an ethereal lightness of body by eating only pine needles and becoming immune to cold and hunger. Images of Mao Nü are found in Chinese art until Ming dynasty (1368-1644), then suddenly lost its popularity during the Qing dynasty (1644-1912). This paper proposes the main reason for this change as being closely related to foot-binding. As paintings depicting female feet became inappropriate during the Qing dynasty, the showing of “feet” essential for recognizing Mao Nü meant that depictions of her suddenly became unpopular and eventually disappeared in Chinese art.
出版者	意匠学会
出版者	The Japan Society of Design
収録物名	デザイン理論
収録物名	Journal of the Japan Society of Design
巻(号)	83
ページ	33-47
刊行年月	2024-01-31
言語	日本語
ハンドルURL	https://hdl.handle.net/11094/93424
DOI	https://doi.org/10.18910/93424
PISSN	09101578
NCID	AN00006762
アクセス権	open access
出版タイプ	Version of Record
カテゴリ	本学関連学会 Related Societies
カテゴリ	デザイン理論 / Vol.83(2024-01)

資源タイプ	学術雑誌論文
ローカル資源タイプ	本学関連学会
DCMI資源タイプ	text
DCTERMS.bibliographicCitation	デザイン理論. 2024, 83, p. 33-47
DC.title	毛女図像の研究 : 大阪市立東洋陶磁美術館蔵《五彩仙人図盤》を題材に
	A Study of Daoist Immortal Mao Nü : Ming Dynasty Zhangzhou Ware Plate with a Hermit in the collection of the Museum of Oriental Ceramics, Osaka
	モウジョ　ズゾウ　ノ　ケンキュウ　オオサカシリツ　トウヨウ　トウジ　ビジュツカン　ゾウ　ゴサイ　センニン　ズバン　ヲ　ダイザイ　ニ
DC.creator	毛, 嘉琪
DC.creator	Mao, Jiaqi
DC.publisher	意匠学会
DC.publisher	The Japan Society of Design
DC.language' scheme='DCTERMS.RFC1766	日本語
DC.type' scheme='DCTERMS.DCMIType	text
DCTERMS.issued' scheme='DCTERMS.W3CDTF	2024-01-31
DC.subject	漳州窯
	道教
	仙人
	意匠
	纏足
	Swatow Ware
	Daoism
	Immortal
	Design
	Foot Binding
DC.description	学術論文
DCTERMS.abstract	Daoist immortals are one of the most popular and auspicious iconographies in Asian Art, and this paper focuses on one specific human figure painted on a Swatow (Zhangzhou) ware plate from the Ming dynasty, now in the collection of the Museum of Oriental Ceramics, Osaka. A barefoot immortal with a deer, holding a cane and carrying a basket with a parasol above her head is depicted in the center of the piece. This paper attempts to show that the figure is the Daoist Immortal Mao Nü, who once served at the palace of Emperor Qin Shi Huang in the third century BC. After the fall of the dynasty, she took refuge in the mountains, attaining an ethereal lightness of body by eating only pine needles and becoming immune to cold and hunger. Images of Mao Nü are found in Chinese art until Ming dynasty (1368-1644), then suddenly lost its popularity during the Qing dynasty (1644-1912). This paper proposes the main reason for this change as being closely related to foot-binding. As paintings depicting female feet became inappropriate during the Qing dynasty, the showing of “feet” essential for recognizing Mao Nü meant that depictions of her suddenly became unpopular and eventually disappeared in Chinese art.
DC.identifier	10.18910/93424
DC.format	93424
citation_title	毛女図像の研究 : 大阪市立東洋陶磁美術館蔵《五彩仙人図盤》を題材に
citation_author	毛, 嘉琪
citation_publisher	意匠学会
citation_language	日本語
citation_date	2024-01-31
citation_journal_title	デザイン理論
citation_volume	83
citation_firstpage	33
citation_lastpage	47
citation_public_url	https://hdl.handle.net/11094/93424
citation_doi_detail	10.18910/93424
citation_doi	https://doi.org/10.18910/93424

毛女図像の研究 : 大阪市立東洋陶磁美術館蔵《五彩仙人図盤》を題材に

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