紀要論文

紀要論文

text

阪大音楽学報. 2020, 16・17, p. 63-83

日本語

text

2020-09-30

In this paper, I consider the functionality of CDs, which are widely used to publish major works in the Dojin music’s aspect of “luxury products”. In certain respects, a Dojin work does not form part of a mass commercial market. Rather, the dynamics involve face-to-face distributions of CDs at Dojin events, which provide the opportunity for individuals to share with others their interest. Dojin music circles use CDs as the main medium for presenting their work, and their work has been increasing year by year. In the community, it is carefully planned not only as a device for listening to music but as the object of attachment itself, as a multimedia work. In the Dojin music scene, a CD seems to be a kind of a “luxury product”. In addition, even if the technical environment improves, Dojin music, which retains its expression through CDs, seems to go against the path followed by the music industry. This situation, which cannot be explained by technical determinism, needs to be verified according to the cultural/social background surrounding Dojin music. Therefore, to understand this seemingly contradictory situation, this study will analyze music and packaging by introducing the perspective of “luxury products.” By basing the discussion on the various functions and benefits of “luxury products,” it is possible to analyze aspects of “enjoyment” surrounding Dojin works from various perspectives. Accordingly, in this study I consider various theoretical perspectives through which to regard “music” as a “luxury product”（Chapter 1）. Chapter 2 details the history of ideology concerning the formation of interpersonal relationships that are emphasized in spot sales events. In Chapter 3, the works of Dojin artists using CDs and other media are examined. Here, the characteristics of their works are revealed. Crucially, the ways in which the creators and listeners critically consider the aspects of “owning” each work, are illuminated. Chapter 4 discusses what Dojin music CDs bring to producers and listeners, by referring to discourses surrounding ownership: in other words, what is means to “own” music. Based on each discussion, I consider the role CDs play in the Dojin music scene and the kind of luxury product they provide.

10.18910/98478

98478

同人音楽におけるCDの役割 : 対人関係を媒介する嗜好品としての音楽

藤下, 由香里

大阪大学文学部・大学院文学研究科音楽学研究室

日本語

2020-09-30

阪大音楽学報

16・17

63

83

https://hdl.handle.net/11094/98478

10.18910/98478

https://doi.org/10.18910/98478