紀要論文

紀要論文

text

阪大音楽学報. 2021, 18, p. 1-41

日本語

text

2021-10-12

Hokkiko（Return to the North）, composed as a student song（1941）by Uda Hiroshi in Manchuria, became revived as a popular song（1961）in postwar Japan. Most previous studies have claimed that Hokkiko, generally considered to be the first song about “Return to the North”, was orally transmitted by students in postwar period and became a favorite song in the Utagoe Coffeehouse（coffeehouses for customers to sing together）where the song was “discovered” by record companies. This paper, however, will discuss Hokkiko in the wider contexts of musical and cultural history, to argue that the revival of Hokkiko had resulted from complex music circuits（such as the parody culture, or the rediscovery of wartime songs）in the early postwar period（ca.1950s～1960s）, rather than just a result of its popularity in the Utagoe Coffeehouse. After the 1960s, discourses surrounding Hokkiko were divided into multifaceted interpretations：that it was a song of homesickness surrounding the Shudanshushoku（a rural-to-city, group employment during Japanʼs high economic miracle period）, or that the song expressed the political disillusionment of the Anpo Struggle in different contexts. By verifying some typical discourses and focusing instead on the transition of the geographical image of the “North” in Japanese popular music, I will discuss how and why Hokkiko, a student song about personal experiences in Manchuria, became re-constructed as a song that reflected the Japanese society in the 1960s. By considering Hokkiko, this paper finally attempts to rethink Tairiku Songs in the context of transwar Japan, and presents a new perspective on the study of the Tairiku Songs genre.

10.18910/98482

98482

さすらう大陸歌謡 : ≪北帰行≫をめぐる音楽文化史

張, 佳能

大阪大学文学部・大学院文学研究科音楽学研究室

日本語

2021-10-12

阪大音楽学報

18

1

41

https://hdl.handle.net/11094/98482

10.18910/98482

https://doi.org/10.18910/98482