学術雑誌論文

本学関連学会

text

デザイン理論. 2019, 74, p. 19-33

日本語

text

2019-08-08

学術論文

This paper looks at the mass production in modern Japanese textile industry by examining roller printing in Kyoto and modern Kasuri patterns, analyzing the three aspects: Kasuri patterns as designs, the roller printing technique and the birth of the print designer. Roller printing was first introduced to Japan in Kyoto in 1898, with the aim to modernize traditional textile printing industry. After the establishment of an engraving company by Shujirō Takeda (1877–1931) in 1903, the textile industry in Kyoto rapidly developed. Meanwhile, after the Meiji Restoration, Kasuri fabrics became popularly used in school wear and casual clothing. In 1903 the 5th National Industrial Exhibition was held in Osaka, with the use of Kasuri designs and roller printing encouraged in order to promote Japan’s textile industry. Innovative punting machine engraving Kasuri patterns onto copper rolls which was uniquely developed in Japan enabled the mass production of printed Kasuri textiles. With large quantities of Kasuri designs being required for roller printing, Fuse Tessen (1887–1940), who studied modern design at Kyoto Municipal School of Arts and Crafts, became a pioneer roller printing designer. It has become evident that such print designers emerged from the generation that had studied modern design after 1900, and who, thanks to new techniques and commonly used Kasuri patterns, provided the Japanese mass consumption society with their designs.

10.18910/75315

75315

京都の機械捺染と近代の絣 : デザイン，技術，図案家をめぐって

上田, 文

意匠学会

日本語

2019-08-08

デザイン理論

74

19

33

https://hdl.handle.net/11094/75315

10.18910/75315

https://doi.org/10.18910/75315