学術雑誌論文

本学関連学会

text

デザイン理論. 2019, 74, p. 35-50

日本語

text

2019-08-08

学術論文

At the turn of the 20th century, the English “Arts and crafts” movement diffused in France through different channels. For example, around 1896, in Paris, the art shop “S. Bing” offered furniture and works of art in this style. Moreover, the French artist Maurice Pillard-Verneuil introduced this style in many articles in the French art magazine “Art et décoration”. These two channels were the most efficient. There was also an “Arts and craft” exhibition during 6 months in Louvre museum in 1914, and, of course, direct contacts between French and English artists. Maurice Pillard-Verneuil is a French artist, and one of the disciples of Eugène Grasset. At the end of 19th century, he was instrumental in promoting the French “Art Nouveau” style, writing 23 books and 128 articles in the journal “Art et Décoration” on this subject. He also promoted the “Arts and crafts” style in the same journal. From one of his articles in this journal, entitled “My house”, it is known that he had a house built in this style in Paris suburb and lived in it from 1910 to 1914. After thorough research, I found that this house already exists. I could visit it and since it has kept most of its initial appearance, I present in this article several “Arts and crafts” features it possesses. Another typical architectural example of this time is the « House of women employees of Post office » that was built in Paris by the architect Briault in 1905. It still exists as a restaurant, and I could visit it. Its decorative style, with stained glass and typical stairs, is more “Art Nouveau” than “Arts and crafts”. However, one can feel the influence of William Morris in the layout of rooms and in the goal of the building itself: to bring comfortable living conditions to middle class workers. These two buildings illustrate well how French architects began to consider inhabitants’ comfort in their architectural and interior designs.

10.18910/75316

75316

フランスのアール・ヌーヴォー建築に見るアーツ&クラフツの影響 : M. P -ヴェルヌイユの館とパリ女子電話交換手寮の例をもとに

廣瀬, 緑

意匠学会

日本語

2019-08-08

デザイン理論

74

35

50

https://hdl.handle.net/11094/75316

10.18910/75316

https://doi.org/10.18910/75316