学術雑誌論文

本学関連学会

text

デザイン理論. 2021, 77, p. 69-83

日本語

text

2021-01-31

学術論文

The Yuzen Kyokai was an association of Yuzen dyeing businesses that invited zuan or design submissions between 1892 and 1911. Individuals applied by drawing ideas based on a given theme, and outstanding zuan were awarded prizes or prize money. In the Meiji 20s (1887-1896), the importance of zuan became widely recognised. Following Takashimaya and similar stores, the Yuzen Kyokai association inaugurated a competition to seek zuan at an early stage. A good example was the zuan contest held in 1905, themed ‘Date-moyo designs for autumn’, for which the majority of applications incorporated large motifs that had been popular in the early- to mid-Edo Period. Not coincidentally, Mitsukoshi simultaneously started selling ‘Genroku-moyo’ designs reminiscent of the same period and particularly fashionable that year. Previous research has shown how Mitsukoshi made ‘Genroku-moyo’ designs fashionable; however, they present Mitsukoshi’s perspective, describing how a department store became a trend setter for the first time, in a watershed moment for department store management. Alternatively, this study focuses on the production of dyed and woven fabrics in Kyoto and discusses the city’s role at the heart of a zuan creating region. Further, it clarifies how zuan were produced in Kyoto through submissions to competitions initiated by the Yuzen Kyokai association.

10.18910/78324

78324

友禅協会「伊達模様」の募集とその周辺 : 明治後期・京都における流行創出との関わり

加茂, 瑞穂

意匠学会

日本語

2021-01-31

デザイン理論

77

69

83

https://hdl.handle.net/11094/78324

10.18910/78324

https://doi.org/10.18910/78324