A impermanência no olhar do fotógrafo-imigrante Haruo Ohara (1909–1999)

Akiti Dezem, Rogério; André, Richard Gonçalves

言語文化研究, 2018, 44, 187-203

Number of Access:423（2025-08-21 16:37 Counts）

Identifier to cite or link to this item: https://doi.org/10.18910/68020

Link to primary information 

File Format Terms of use Size Views Date.Available Description information
slc_44-187 pdf None 1.50 MB 407 2018.04.05  

Item Information

Output File Export EndNote Basic Export Mendeley

Title
A impermanência no olhar do fotógrafo-imigrante Haruo Ohara (1909–1999)
The impermanence in the gaze of photographer-immigrant Haruo Ohara (1909－1999)
Creator
NRID
1000020598437 1000020598437
researchmap permalink
akitidezem akitidezem
CreatorName
Akiti Dezem, Rogério ; アキチ デゼン, ロジェリオ
CreatorName
André, Richard Gonçalves
Subject
Haruo Ohara
Japanese Immigration
Photography
Description
【学術論文】
Abstract
This article intends to outline the career path of the Japanese immigrant Haruo Ohara (1909－1999) in Brazilian land and discuss the representation of the physical space of the Northern Parana State from Ohara’s Japanese point of view as an immigrant-photographer. As methodology, we use some photographs of Ohara available in Moreira Salles Institute as sources, understanding photographic images as a result of a cut on space and time, as proposed by Philippe Dubois. Our discussion suggests that Ohara’s view use elements of Japanese aesthetics (wabi sabi, ma and yohaku), defining the Japaneseness in some images produced by the immigrant-photographer.
Publisher
大阪大学大学院言語文化研究科
オオサカ ダイガク ダイガクイン ゲンゴ ブンカ ケンキュウカ
Graduate School of Language and Culture, Osaka University
Source Title
言語文化研究
Studies in language and culture
Volume (Issue)
44
Page
187-203
Date of Issued
2018-03-31
Language
Portuguese
Handle URL
https://hdl.handle.net/11094/68020
DOI
https://doi.org/10.18910/68020
PISSN
03874478
NCID
AN00077727
Access Rights
open access
oaire:version
Version of Record
Category
紀要論文 Departmental Bulletin Paper
Studies in Language and Culture / Vol.44（2018）