Attempts toward creative reconstruction using arts relocation and reconstruction supported by insurance 2011 × New Zealand

Otani, Junko

doi:https://doi.org/10.18910/68277

Attempts toward creative reconstruction using arts relocation and reconstruction supported by insurance 2011 × New Zealand

Otani, Junko

Osaka Human Sciences, 2018, 4, 1-28

Number of Access:365（2025-08-14 02:34 Counts）

Identifier to cite or link to this item: https://doi.org/10.18910/68277

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Title	Attempts toward creative reconstruction using arts relocation and reconstruction supported by insurance 2011 × New Zealand
Creator	NRID 1000090403930 1000090403930 researchmap permalink read0209505 read0209505 Scopus Author ID 56469551900 56469551900 CreatorName Otani, Junko
Subject	Canterbury earthquake
	Christchurch
	creative reconstruction
	art
	insurance
Abstract	This paper will take up the Canterbury earthquake in New Zealand, which occurred in 2011, as an example for discussing the creative reconstruction. Its main characteristics were summarized into the following 3 points. Firstly, the self-help-centric solutions based on the enhancing of insurance have been addressed. Secondly, in conjunction with the aforementioned issue, mobility of the population is high and many people have moved out of the affected area after the disaster. Thirdly, reconstructions using works of art have been attempted at the most disaster-stricken area. The reason why works of art have been made in the affected area is that many spaces such as vacant lots and walls which could not be immediately reconstructed became available for use after building collapses and mass move-outs of many individuals, families, and companies. The background behind the high rate of moving out and relocation of people can be accounted for by the enhancing of the insurance system in New Zealand society, and the alliance between the government, such as CERA (Canterbury Earthquake Recovery Authority), and civil society. What the example from New Zealand demonstrates is that temporary art in affected areas has the power to provide vibrancy to scenery which looked to have fallen behind in reconstruction, and to convert the area into a place where people could gather again.
Publisher	Graduate School of Human Sciences, Osaka University
Source Title	Osaka Human Sciences
Volume (Issue)	4
Page	1-28
Date of Issued	2018-03
Language	English
Handle URL	https://hdl.handle.net/11094/68277
DOI	https://doi.org/10.18910/68277
NCID	AA12727839
Access Rights	open access
oaire:version	Version of Record
Category	紀要論文 Departmental Bulletin Paper
Category	Osaka Human Sciences / Vol.4

Resource Type	departmental bulletin paper
Local Type	Departmental Bulletin Paper
DCMI Type	Text
DCTERMS.bibliographicCitation	Osaka Human Sciences. 2018, 4, p. 1-28
DC.title	Attempts toward creative reconstruction using arts relocation and reconstruction supported by insurance 2011 × New Zealand
DC.creator	Otani, Junko
DC.publisher	Graduate School of Human Sciences, Osaka University
DC.language' scheme='DCTERMS.RFC1766	English
DC.type' scheme='DCTERMS.DCMIType	Text
DCTERMS.issued' scheme='DCTERMS.W3CDTF	2018-03
DC.subject	Canterbury earthquake
	Christchurch
	creative reconstruction
	art
	insurance
DCTERMS.abstract	This paper will take up the Canterbury earthquake in New Zealand, which occurred in 2011, as an example for discussing the creative reconstruction. Its main characteristics were summarized into the following 3 points. Firstly, the self-help-centric solutions based on the enhancing of insurance have been addressed. Secondly, in conjunction with the aforementioned issue, mobility of the population is high and many people have moved out of the affected area after the disaster. Thirdly, reconstructions using works of art have been attempted at the most disaster-stricken area. The reason why works of art have been made in the affected area is that many spaces such as vacant lots and walls which could not be immediately reconstructed became available for use after building collapses and mass move-outs of many individuals, families, and companies. The background behind the high rate of moving out and relocation of people can be accounted for by the enhancing of the insurance system in New Zealand society, and the alliance between the government, such as CERA (Canterbury Earthquake Recovery Authority), and civil society. What the example from New Zealand demonstrates is that temporary art in affected areas has the power to provide vibrancy to scenery which looked to have fallen behind in reconstruction, and to convert the area into a place where people could gather again.
DC.identifier	10.18910/68277
DC.format	68277
citation_title	Attempts toward creative reconstruction using arts relocation and reconstruction supported by insurance 2011 × New Zealand
citation_author	Otani, Junko
citation_publisher	Graduate School of Human Sciences, Osaka University
citation_language	English
citation_date	2018-03
citation_journal_title	Osaka Human Sciences
citation_volume	4
citation_firstpage	1
citation_lastpage	28
citation_public_url	https://hdl.handle.net/11094/68277
citation_doi_detail	10.18910/68277
citation_doi	https://doi.org/10.18910/68277

Attempts toward creative reconstruction using arts relocation and reconstruction supported by insurance 2011 × New Zealand

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