日本統治下台湾における新演劇興行の実態 : 明治三十八年台南座蜻蛉会の芝居番付より

中尾, 薫

大阪大学大学院文学研究科紀要, 2023, 63, 149-197

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Identifier to cite or link to this item: https://doi.org/10.18910/91250

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Title
日本統治下台湾における新演劇興行の実態 : 明治三十八年台南座蜻蛉会の芝居番付より
Aspects of Shin-Engeki Producting in Taiwan During Japanese Rule From ten playbills of Kagero-kai at South Taiwan theater, 1905
ニホン　トウチカ　タイワン　ニ　オケル　シン　エンゲキ　コウギョウ　ノ　ジッタイ　メイジ　３８ネン　タイナンザ　カゲロウカイ　ノ　シバイ　バンヅケ　ヨリ
Creator
NRID
1000030546247 1000030546247
researchmap permalink
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Scopus Author ID
57201683720 57201683720
CreatorName
中尾, 薫 ; ナカオ, カオル ; Nakao, Kaoru
Abstract
Taiwan was a Japanese colony for 50 years from 1895 to 1945. During this period, various cultural activities were carried out by Japanese settler, including theatre performances such as Niwaka （俄）, Naniwa-bushi （浪花節）, Mizu-gei （水芸）, Rakugo （落語）, Joruri/Gidayu-bushi（ 浄瑠璃、義太夫節）, Kabuki（ 歌舞伎）, Authentic Drama/Sin-engeki/Sei-geki/Shin-pa （新演劇、正劇、新派） and etc. Especially, Shin-engeki has been fully researched by both Taiwanese and Japanese, as it’s related to the rise of the new theatre movement by the Taiwanese intelligentsia. However little of known about how Shin-engeki had been run before the production by Otojiro Kawakami（川上音二郎）, who performed at Taiwan in 1911. The purpose of this paper is to explain the actual state affairs of Shin-Engeki production from ten playbills of Kagero-kai（蜻蛉会） at South Taiwan theater（台南座）, 1905.
Publisher
大阪大学大学院文学研究科
Graduate School of Letters, Osaka University
Source Title
大阪大学大学院文学研究科紀要
Memoirs of the Graduate School of Letters, Osaka University
Volume (Issue)
63
Page
149-197
Date of Issued
2023-02
Language
Japanese
Handle URL
https://hdl.handle.net/11094/91250
DOI
https://doi.org/10.18910/91250
PISSN
13453548
NCID
AA11430583
Access Rights
open access
oaire:version
Version of Record
Category
紀要論文 Departmental Bulletin Paper
Memoirs of the Graduate School of Letters, Osaka University / Vol.63